News Archive
 
February 2008
  • Breaking News
  • AICP DEADLINE
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Uma Thurman, who helped launch the company a year ago, is being replaced by Samuel L. Jackson. Jonas Akerlund is...


RHYTHM & HUES’ Westenhofer Receives ACADEMY AWARD® for Achievement in VFX for “THE GOLDEN COMPASS”


Chicago 10 Hits Theatres with Cutting-Edge Motion Capture Production from Curious Pictures


New Motion Graphics Studio Favorite Color opens in Manhattan’s Soho Neighborhood


Bossa Nova Films expands its Latin American production bases


GURU Studio Expands - Associate Producer Jacquie Rushlow joins


Alex Gibney Wins Oscar for TAXI TO THE DARK SIDE


Food Chain Films Signs Kamp Grizzly


Jonathan Nowak and Steve Olpin sign with Silo Films


Shortlist announced and now available online. Also look for information on booking tickets for the Awards Presentation...


Breathe Editing takes on PSAs


Marketers: TV Advertising Effectiveness Has Decreased


Second Entry Deadline For 2008 AICP Show Is Fast-Approaching New Date Allows Work Created For The Oscars Telecast...


Directors Greg Olliver and John Park have signed with T.H.E.M. for exclusive US spot representation


Dan Swietlik Honored with ACE Eddie Award for Best Edited Documentary: "Sicko"


BeachHouse Films has signed director Danny Weisberg


Click 3X Hires New West Coast Rep


Karol Marrs Promoted to Executive Producer


RIOT/NEW YORK Welcomes Brent Holt as Executive Producer


Crossroads Ups Lew and Adds New EC and WC Repping Talent


JWT London Hires Creative Powerhouse Fernanda Romano


Veteran executive producer Joanne Ferraro joins Beast to head up their New York office


Curious Pictures Adds Christopher Mills and Dave Rasura to Directorial Roster


Jigsaw Editorial Company Making Moves


Submission dates and deadlines


ka-chew! Celebrates 10 Years in Business


The 2008 AICP Show Entry Deadline Nears -- Requests For Extensions Now Being Accepted


Gibney gets OSCAR Nomination for TAXI TO THE DARK SIDE


Brad Stratton Joins Bang Music As Executive Producer in New York


Case & Erke join ranks


Sarah Jenks is now repping Pure


Unscrew America


In Britain, a Campaign Against Obesity Is Snarled in Controversy


Tom Mooney/MOON has hired:


Rockhard Films signs Phil Griffin


Jay-Z's ad agency takes on partner


Jennifer Hertslet has launched Hertsletreps


Michael Wright Joins Curious Pictures


An Ad With Talking Pandas, Maybe, but Not With Chinese Accents


Sparks Productions welcomes Director's Agent Pamela Hamilton


Yahoo may consider Google alliance


TWC Signs Director/DP Eric Saarinen


Do you have a breaking spot or campaign you'd like the world to see? Then send us your film via our Add Spots page and...


Paul Abatemarco joins Stardust as executive producer for West Coast studio

NEW YORK, February 13, 2008 – The entry deadline for the 2008 AICP Show, The Art & Technique of the American Commercial is February 15th, 2008, for work airing February 5, 2007 – February 3, 2008. Please go to www.aicp.com to enter online. If entrants would like to request an extension, they may do so at this time by emailing show@aicp.com. Late fees will apply. 

For the first time since the Show's inception in 1992, there is a second deadline for work: February 29, 2008, for work airing February 4, 2008 – February 24, 2008. This second entry deadline allows work produced for, and airing, during the Oscars telecast to be considered for the 2008 Show. 

The AICP Show debuts on June 3rd at The Museum of Modern Art (MoMA) in New York City. Robert Fernandez, CEO/Partner at Moxie Pictures, is the Show Chairman. The Show recognizes the achievements in the artistry of commercial filmmaking. All moving image advertising and marketing messages are eligible for entry, regardless of the media in which it appears. Honored work becomes a part of the permanent archive of the Department of Film at MoMA.

ABOUT AICP

Founded in 1972, the AICP represents, exclusively, the interests of United States companies that specialize in producing commercials in various media—film, video, digital—for advertisers and agencies. The association, with national offices in New York and Los Angeles as well as regional chapters across the country, serves as a strong collective voice for this $5-plus billion industry, disseminating information; representing the production industry within the advertising community, in business circles, in labor negotiations and before governmental officials; developing industry standards and tools; providing professional development; and marketing American production.

 


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