Uma Thurman, who helped launch the company a year ago, is being replaced by Samuel L. Jackson.
Jonas Akerlund is...
RHYTHM & HUES’ Westenhofer Receives ACADEMY AWARD® for Achievement in VFX for “THE GOLDEN COMPASS”
Chicago 10 Hits Theatres with Cutting-Edge Motion Capture Production from Curious Pictures
New Motion Graphics Studio Favorite Color opens in Manhattan’s Soho Neighborhood
Bossa Nova Films expands its Latin American production bases
GURU Studio Expands - Associate Producer Jacquie Rushlow joins
Alex Gibney Wins Oscar for TAXI TO THE DARK SIDE
Food Chain Films Signs Kamp Grizzly
Jonathan Nowak and Steve Olpin sign with Silo Films
Shortlist announced and now available online. Also look for information on booking tickets for the Awards Presentation...
Breathe Editing takes on PSAs
Marketers: TV Advertising Effectiveness Has Decreased
Second Entry Deadline For 2008 AICP Show Is Fast-Approaching
New Date Allows Work Created For The Oscars Telecast...
Directors Greg Olliver and John Park have signed with T.H.E.M. for exclusive US spot representation
Dan Swietlik Honored with ACE Eddie Award for Best Edited Documentary:
"Sicko"
BeachHouse Films has signed director Danny Weisberg
Click 3X Hires New West Coast Rep
Karol Marrs Promoted to Executive Producer
RIOT/NEW YORK Welcomes Brent Holt as Executive Producer
Crossroads Ups Lew and Adds New EC and WC Repping Talent
JWT London Hires Creative Powerhouse Fernanda Romano
Veteran executive producer Joanne Ferraro joins Beast to head up their New York office
Curious Pictures Adds Christopher Mills and Dave Rasura to Directorial Roster
Jigsaw Editorial Company Making Moves
Submission dates and deadlines
ka-chew! Celebrates 10 Years in Business
The 2008 AICP Show Entry Deadline Nears -- Requests For Extensions Now Being Accepted
Gibney gets OSCAR Nomination for TAXI TO THE DARK SIDE
Brad Stratton Joins Bang Music As Executive Producer in New York
Case & Erke join ranks
Sarah Jenks is now repping Pure
Unscrew America
In Britain, a Campaign Against Obesity Is Snarled in Controversy
Tom Mooney/MOON has hired:
Rockhard Films signs Phil Griffin
Jay-Z's ad agency takes on partner
Jennifer Hertslet has launched Hertsletreps
Michael Wright Joins Curious Pictures
An Ad With Talking Pandas, Maybe, but Not With Chinese Accents
Sparks Productions welcomes Director's Agent Pamela Hamilton
Yahoo may consider Google alliance
TWC Signs Director/DP Eric Saarinen
Do you have a breaking spot or campaign you'd like the world to see? Then send us your film via our Add Spots page and...
Paul Abatemarco joins Stardust as executive producer for West Coast studio
NEW YORK, February 20, 2008 – The second entry deadline for the 2008 AICP Show, The Art & Technique of the American Commercial is February 29th, 2008, for work airing February 4, 2008 – February 24, 2008. This is the first time since the Show's inception in 1992 that there has been a second eligibility period for the Show.
The structure was introduced this year to allow work created for, and airing, during the Oscars telecast to be considered for the 2008 Show. Work may be entered at www.aicp.com.
The AICP Show debuts on June 3rd at The Museum of Modern Art (MoMA) in New York City. Robert Fernandez, CEO/Partner at Moxie Pictures, is the Show Chairman. The Show recognizes the achievements in the artistry of commercial filmmaking. All moving image advertising and marketing messages are eligible for entry, regardless of the media in which they appear. Honored work becomes a part of the permanent archive of the Department of Film at MoMA.
ABOUT AICP
Founded in 1972, the AICP represents, exclusively, the interests of United States companies that specialize in producing commercials in various media—film, video, digital—for advertisers and agencies. The association, with national offices in New York and Los Angeles as well as regional chapters across the country, serves as a strong collective voice for this $5-plus billion industry, disseminating information; representing the production industry within the advertising community, in business circles, in labor negotiations and before governmental officials; developing industry standards and tools; providing professional development; and marketing American production.
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